Ballad Collection, Lyric, and the Canon

Ebook, Literary Criticism / European / English, Irish, Scottish, Welsh, Literary Criticism / General, Literary Criticism / Renaissance, Music / Genres & Styles / Folk & Traditional

The humble ballad, defined in 1728 as “a song commonly sung up and down the streets,” was widely used in elite literature in the eighteenth century and beyond. Authors ranging from John Gay to William Blake to Felicia Hemans incorporated the seemingly incongruous genre of the ballad into their work. Ballads were central to the Scottish Enlightenment’s theorization of culture and nationality, to Shakespeare’s canonization in the eighteenth century, and to the New Criticism’s most influential work, Understanding Poetry. Just how and why did the ballad appeal to so many authors from the Restoration period to the end of the Romantic era and into the twentieth century?

Exploring the widespread breach of the wall that separated “high” and “low,” Steve Newman challenges our current understanding of lyric poetry. He shows how the lesser lyric of the ballad changed lyric poetry as a whole and, in so doing, helped to transform literature from polite writing in general into the body of imaginative writing that became known as the English literary canon.

For Newman, the ballad’s early lack of prestige actually increased its value for elite authors after 1660. Easily circulated and understood, ballads moved literature away from the exclusive domain of the courtly, while keeping it rooted in English history and culture. Indeed, elite authors felt freer to rewrite and reshape the common speech of the ballad. Newman also shows how the ballad allowed authors to access the “common” speech of the public sphere, while avoiding what they perceived as the unpalatable qualities of that same public’s increasingly avaricious commercial society.

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Ballad Collection Lyric And The Canon


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Author by : Steve Newman
Languange Used : en
Release Date : 2013-04-23
Publisher by : University of Pennsylvania Press

The humble ballad, defined in 1728 as "a song commonly sung up and down the streets," was widely used in elite

A Companion To Romantic Poetry


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Author by : Charles Mahoney
Languange Used : en
Release Date : 2010-12-21
Publisher by : John Wiley & Sons

Through a series of 34 essays by leading and emerging scholars, A Companion to Romantic Poetry reveals the ric

The Edinburgh Companion To Sir Walter Scott


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Author by : Fiona Robertson
Languange Used : en
Release Date : 2012-09-25
Publisher by : Edinburgh University Press

Sir Walter Scott (1771-1832) is widely recognised as one of the central and defining figures in Scottish liter

Folk Music Journal


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Author by :
Languange Used : en
Release Date : 2008
Publisher by :

Choice


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Author by :
Languange Used : en
Release Date : 2007
Publisher by :

The Romance Of The Lyric In Nineteenth Century Women S Poetry


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Author by : Lee Christine O'Brien
Languange Used : en
Release Date : 2012-10-05
Publisher by : University of Delaware

The Romance of the Lyric in Nineteenth-Century Women’s Poetry: Experiments in Form offers a new account of t

Lyric Generations


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Author by : G. Gabrielle Starr
Languange Used : en
Release Date : 2004-01-14
Publisher by : JHU Press

Eighteenth-century British literary history was long characterized by two central and seemingly discrete movem

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